BEGIN:VCALENDAR VERSION:2.0 PRODID:icalendar-ruby CALSCALE:GREGORIAN X-WR-CALNAME:Resurrection X-WR-TIMEZONE:Central Time (US & Canada) BEGIN:VEVENT DTSTAMP:20261014T130355Z UID:tag:localist.com\,2008:EventInstance_51313572138104 DTSTART:20251219T010000Z DTEND:20251219T020000Z DESCRIPTION:Sneak preview Thursday\, December 18 at 7:00 p.m.\n\nReturns Fr iday\, January 2 through Sunday\, January 4\, and Friday\, January 9 throu gh Sunday\, January 11 at 7:00 p.m.\n\nSpecial additional matinee show Sun day\, January 11 at 2:00 p.m.\n\n(Bi Gan\, 2025\, China\, 160 minutes)\n\n The past few years have brought many talented filmmakers making big swings but ultimately not connecting: Babylon\, Megalopolis\, etc. But here come s 36-year-old Chinese virtuoso Bi Gan\, already with two masterpieces alre ady under his belt (2015’s Kaili Blues and 2018’s Long Day’s Journey into Night\, both of which we ran to much success in 2024)\, making his m ost ambitious film yet\, and\, wouldn’t you know it\, succeeding. (“Mo st ambitious” is a high bar for Bi to cross\, considering his last film\ , Long Day’s Journey into Night\, had an incredibly complicated unbroken hour-long 3-D shot at its climax!) Resurrection elaborates on Bi’s aest hetic and thematic concerns\, which feel like a cross between Wong Kar Wai and David Lynch\, but at the same time are entirely his own. With Resurre ction we are in conversation with 100 years of film history\, as humanity has embraced immortality at the expense of being able to dream\, and only a “Fantasmer” (Chinese pop star Jackson Yee) can still traverse dream realms\, which feel a lot like cinema. When was the last time you saw a ne w film that shows clear influence from and understanding of the films of G eorges Méliès and F.W. Murnau\, to name just two examples? With Taiwanes e superstar Shu Qi (Millennium Mambo) as a mysterious woman\, costumes by Hou Hsiao-hsien’s master production designer Hwarng Wern-ying\, and musi c by the French electronic group M83. Winner of the Special Jury’s Award at the 2025 Cannes Film Festival.\n\nIn Mandarin with English subtitles. GEO:38.590668;-90.345314 LOCATION:Winifred Moore Auditorium SUMMARY:Resurrection URL;VALUE=URI:https://events.webster.edu/event/resurrection CATEGORIES:School of Communications CATEGORIES:Film Series END:VEVENT BEGIN:VEVENT DTSTAMP:20261014T130355Z UID:tag:localist.com\,2008:EventInstance_51313572140153 DTSTART:20260103T010000Z DTEND:20260103T020000Z DESCRIPTION:Sneak preview Thursday\, December 18 at 7:00 p.m.\n\nReturns Fr iday\, January 2 through Sunday\, January 4\, and Friday\, January 9 throu gh Sunday\, January 11 at 7:00 p.m.\n\nSpecial additional matinee show Sun day\, January 11 at 2:00 p.m.\n\n(Bi Gan\, 2025\, China\, 160 minutes)\n\n The past few years have brought many talented filmmakers making big swings but ultimately not connecting: Babylon\, Megalopolis\, etc. But here come s 36-year-old Chinese virtuoso Bi Gan\, already with two masterpieces alre ady under his belt (2015’s Kaili Blues and 2018’s Long Day’s Journey into Night\, both of which we ran to much success in 2024)\, making his m ost ambitious film yet\, and\, wouldn’t you know it\, succeeding. (“Mo st ambitious” is a high bar for Bi to cross\, considering his last film\ , Long Day’s Journey into Night\, had an incredibly complicated unbroken hour-long 3-D shot at its climax!) Resurrection elaborates on Bi’s aest hetic and thematic concerns\, which feel like a cross between Wong Kar Wai and David Lynch\, but at the same time are entirely his own. With Resurre ction we are in conversation with 100 years of film history\, as humanity has embraced immortality at the expense of being able to dream\, and only a “Fantasmer” (Chinese pop star Jackson Yee) can still traverse dream realms\, which feel a lot like cinema. When was the last time you saw a ne w film that shows clear influence from and understanding of the films of G eorges Méliès and F.W. Murnau\, to name just two examples? With Taiwanes e superstar Shu Qi (Millennium Mambo) as a mysterious woman\, costumes by Hou Hsiao-hsien’s master production designer Hwarng Wern-ying\, and musi c by the French electronic group M83. Winner of the Special Jury’s Award at the 2025 Cannes Film Festival.\n\nIn Mandarin with English subtitles. GEO:38.590668;-90.345314 LOCATION:Winifred Moore Auditorium SUMMARY:Resurrection URL;VALUE=URI:https://events.webster.edu/event/resurrection CATEGORIES:School of Communications CATEGORIES:Film Series END:VEVENT BEGIN:VEVENT DTSTAMP:20261014T130355Z UID:tag:localist.com\,2008:EventInstance_51313572143226 DTSTART:20260104T010000Z DTEND:20260104T020000Z DESCRIPTION:Sneak preview Thursday\, December 18 at 7:00 p.m.\n\nReturns Fr iday\, January 2 through Sunday\, January 4\, and Friday\, January 9 throu gh Sunday\, January 11 at 7:00 p.m.\n\nSpecial additional matinee show Sun day\, January 11 at 2:00 p.m.\n\n(Bi Gan\, 2025\, China\, 160 minutes)\n\n The past few years have brought many talented filmmakers making big swings but ultimately not connecting: Babylon\, Megalopolis\, etc. But here come s 36-year-old Chinese virtuoso Bi Gan\, already with two masterpieces alre ady under his belt (2015’s Kaili Blues and 2018’s Long Day’s Journey into Night\, both of which we ran to much success in 2024)\, making his m ost ambitious film yet\, and\, wouldn’t you know it\, succeeding. (“Mo st ambitious” is a high bar for Bi to cross\, considering his last film\ , Long Day’s Journey into Night\, had an incredibly complicated unbroken hour-long 3-D shot at its climax!) Resurrection elaborates on Bi’s aest hetic and thematic concerns\, which feel like a cross between Wong Kar Wai and David Lynch\, but at the same time are entirely his own. With Resurre ction we are in conversation with 100 years of film history\, as humanity has embraced immortality at the expense of being able to dream\, and only a “Fantasmer” (Chinese pop star Jackson Yee) can still traverse dream realms\, which feel a lot like cinema. When was the last time you saw a ne w film that shows clear influence from and understanding of the films of G eorges Méliès and F.W. Murnau\, to name just two examples? With Taiwanes e superstar Shu Qi (Millennium Mambo) as a mysterious woman\, costumes by Hou Hsiao-hsien’s master production designer Hwarng Wern-ying\, and musi c by the French electronic group M83. Winner of the Special Jury’s Award at the 2025 Cannes Film Festival.\n\nIn Mandarin with English subtitles. GEO:38.590668;-90.345314 LOCATION:Winifred Moore Auditorium SUMMARY:Resurrection URL;VALUE=URI:https://events.webster.edu/event/resurrection CATEGORIES:School of Communications CATEGORIES:Film Series END:VEVENT BEGIN:VEVENT DTSTAMP:20261014T130355Z UID:tag:localist.com\,2008:EventInstance_51313572145275 DTSTART:20260105T010000Z DTEND:20260105T020000Z DESCRIPTION:Sneak preview Thursday\, December 18 at 7:00 p.m.\n\nReturns Fr iday\, January 2 through Sunday\, January 4\, and Friday\, January 9 throu gh Sunday\, January 11 at 7:00 p.m.\n\nSpecial additional matinee show Sun day\, January 11 at 2:00 p.m.\n\n(Bi Gan\, 2025\, China\, 160 minutes)\n\n The past few years have brought many talented filmmakers making big swings but ultimately not connecting: Babylon\, Megalopolis\, etc. But here come s 36-year-old Chinese virtuoso Bi Gan\, already with two masterpieces alre ady under his belt (2015’s Kaili Blues and 2018’s Long Day’s Journey into Night\, both of which we ran to much success in 2024)\, making his m ost ambitious film yet\, and\, wouldn’t you know it\, succeeding. (“Mo st ambitious” is a high bar for Bi to cross\, considering his last film\ , Long Day’s Journey into Night\, had an incredibly complicated unbroken hour-long 3-D shot at its climax!) Resurrection elaborates on Bi’s aest hetic and thematic concerns\, which feel like a cross between Wong Kar Wai and David Lynch\, but at the same time are entirely his own. With Resurre ction we are in conversation with 100 years of film history\, as humanity has embraced immortality at the expense of being able to dream\, and only a “Fantasmer” (Chinese pop star Jackson Yee) can still traverse dream realms\, which feel a lot like cinema. When was the last time you saw a ne w film that shows clear influence from and understanding of the films of G eorges Méliès and F.W. Murnau\, to name just two examples? With Taiwanes e superstar Shu Qi (Millennium Mambo) as a mysterious woman\, costumes by Hou Hsiao-hsien’s master production designer Hwarng Wern-ying\, and musi c by the French electronic group M83. Winner of the Special Jury’s Award at the 2025 Cannes Film Festival.\n\nIn Mandarin with English subtitles. GEO:38.590668;-90.345314 LOCATION:Winifred Moore Auditorium SUMMARY:Resurrection URL;VALUE=URI:https://events.webster.edu/event/resurrection CATEGORIES:School of Communications CATEGORIES:Film Series END:VEVENT BEGIN:VEVENT DTSTAMP:20261014T130355Z UID:tag:localist.com\,2008:EventInstance_51313572147324 DTSTART:20260110T010000Z DTEND:20260110T020000Z DESCRIPTION:Sneak preview Thursday\, December 18 at 7:00 p.m.\n\nReturns Fr iday\, January 2 through Sunday\, January 4\, and Friday\, January 9 throu gh Sunday\, January 11 at 7:00 p.m.\n\nSpecial additional matinee show Sun day\, January 11 at 2:00 p.m.\n\n(Bi Gan\, 2025\, China\, 160 minutes)\n\n The past few years have brought many talented filmmakers making big swings but ultimately not connecting: Babylon\, Megalopolis\, etc. But here come s 36-year-old Chinese virtuoso Bi Gan\, already with two masterpieces alre ady under his belt (2015’s Kaili Blues and 2018’s Long Day’s Journey into Night\, both of which we ran to much success in 2024)\, making his m ost ambitious film yet\, and\, wouldn’t you know it\, succeeding. (“Mo st ambitious” is a high bar for Bi to cross\, considering his last film\ , Long Day’s Journey into Night\, had an incredibly complicated unbroken hour-long 3-D shot at its climax!) Resurrection elaborates on Bi’s aest hetic and thematic concerns\, which feel like a cross between Wong Kar Wai and David Lynch\, but at the same time are entirely his own. With Resurre ction we are in conversation with 100 years of film history\, as humanity has embraced immortality at the expense of being able to dream\, and only a “Fantasmer” (Chinese pop star Jackson Yee) can still traverse dream realms\, which feel a lot like cinema. When was the last time you saw a ne w film that shows clear influence from and understanding of the films of G eorges Méliès and F.W. Murnau\, to name just two examples? With Taiwanes e superstar Shu Qi (Millennium Mambo) as a mysterious woman\, costumes by Hou Hsiao-hsien’s master production designer Hwarng Wern-ying\, and musi c by the French electronic group M83. Winner of the Special Jury’s Award at the 2025 Cannes Film Festival.\n\nIn Mandarin with English subtitles. GEO:38.590668;-90.345314 LOCATION:Winifred Moore Auditorium SUMMARY:Resurrection URL;VALUE=URI:https://events.webster.edu/event/resurrection CATEGORIES:School of Communications CATEGORIES:Film Series END:VEVENT BEGIN:VEVENT DTSTAMP:20261014T130355Z UID:tag:localist.com\,2008:EventInstance_51313572149373 DTSTART:20260111T010000Z DTEND:20260111T020000Z DESCRIPTION:Sneak preview Thursday\, December 18 at 7:00 p.m.\n\nReturns Fr iday\, January 2 through Sunday\, January 4\, and Friday\, January 9 throu gh Sunday\, January 11 at 7:00 p.m.\n\nSpecial additional matinee show Sun day\, January 11 at 2:00 p.m.\n\n(Bi Gan\, 2025\, China\, 160 minutes)\n\n The past few years have brought many talented filmmakers making big swings but ultimately not connecting: Babylon\, Megalopolis\, etc. But here come s 36-year-old Chinese virtuoso Bi Gan\, already with two masterpieces alre ady under his belt (2015’s Kaili Blues and 2018’s Long Day’s Journey into Night\, both of which we ran to much success in 2024)\, making his m ost ambitious film yet\, and\, wouldn’t you know it\, succeeding. (“Mo st ambitious” is a high bar for Bi to cross\, considering his last film\ , Long Day’s Journey into Night\, had an incredibly complicated unbroken hour-long 3-D shot at its climax!) Resurrection elaborates on Bi’s aest hetic and thematic concerns\, which feel like a cross between Wong Kar Wai and David Lynch\, but at the same time are entirely his own. With Resurre ction we are in conversation with 100 years of film history\, as humanity has embraced immortality at the expense of being able to dream\, and only a “Fantasmer” (Chinese pop star Jackson Yee) can still traverse dream realms\, which feel a lot like cinema. When was the last time you saw a ne w film that shows clear influence from and understanding of the films of G eorges Méliès and F.W. Murnau\, to name just two examples? With Taiwanes e superstar Shu Qi (Millennium Mambo) as a mysterious woman\, costumes by Hou Hsiao-hsien’s master production designer Hwarng Wern-ying\, and musi c by the French electronic group M83. Winner of the Special Jury’s Award at the 2025 Cannes Film Festival.\n\nIn Mandarin with English subtitles. GEO:38.590668;-90.345314 LOCATION:Winifred Moore Auditorium SUMMARY:Resurrection URL;VALUE=URI:https://events.webster.edu/event/resurrection CATEGORIES:School of Communications CATEGORIES:Film Series END:VEVENT BEGIN:VEVENT DTSTAMP:20261014T130355Z UID:tag:localist.com\,2008:EventInstance_51313572151422 DTSTART:20260111T200000Z DTEND:20260111T210000Z DESCRIPTION:Sneak preview Thursday\, December 18 at 7:00 p.m.\n\nReturns Fr iday\, January 2 through Sunday\, January 4\, and Friday\, January 9 throu gh Sunday\, January 11 at 7:00 p.m.\n\nSpecial additional matinee show Sun day\, January 11 at 2:00 p.m.\n\n(Bi Gan\, 2025\, China\, 160 minutes)\n\n The past few years have brought many talented filmmakers making big swings but ultimately not connecting: Babylon\, Megalopolis\, etc. But here come s 36-year-old Chinese virtuoso Bi Gan\, already with two masterpieces alre ady under his belt (2015’s Kaili Blues and 2018’s Long Day’s Journey into Night\, both of which we ran to much success in 2024)\, making his m ost ambitious film yet\, and\, wouldn’t you know it\, succeeding. (“Mo st ambitious” is a high bar for Bi to cross\, considering his last film\ , Long Day’s Journey into Night\, had an incredibly complicated unbroken hour-long 3-D shot at its climax!) Resurrection elaborates on Bi’s aest hetic and thematic concerns\, which feel like a cross between Wong Kar Wai and David Lynch\, but at the same time are entirely his own. With Resurre ction we are in conversation with 100 years of film history\, as humanity has embraced immortality at the expense of being able to dream\, and only a “Fantasmer” (Chinese pop star Jackson Yee) can still traverse dream realms\, which feel a lot like cinema. When was the last time you saw a ne w film that shows clear influence from and understanding of the films of G eorges Méliès and F.W. Murnau\, to name just two examples? With Taiwanes e superstar Shu Qi (Millennium Mambo) as a mysterious woman\, costumes by Hou Hsiao-hsien’s master production designer Hwarng Wern-ying\, and musi c by the French electronic group M83. Winner of the Special Jury’s Award at the 2025 Cannes Film Festival.\n\nIn Mandarin with English subtitles. GEO:38.590668;-90.345314 LOCATION:Winifred Moore Auditorium SUMMARY:Resurrection URL;VALUE=URI:https://events.webster.edu/event/resurrection CATEGORIES:School of Communications CATEGORIES:Film Series END:VEVENT BEGIN:VEVENT DTSTAMP:20261014T130355Z UID:tag:localist.com\,2008:EventInstance_51313572153471 DTSTART:20260112T010000Z DTEND:20260112T020000Z DESCRIPTION:Sneak preview Thursday\, December 18 at 7:00 p.m.\n\nReturns Fr iday\, January 2 through Sunday\, January 4\, and Friday\, January 9 throu gh Sunday\, January 11 at 7:00 p.m.\n\nSpecial additional matinee show Sun day\, January 11 at 2:00 p.m.\n\n(Bi Gan\, 2025\, China\, 160 minutes)\n\n The past few years have brought many talented filmmakers making big swings but ultimately not connecting: Babylon\, Megalopolis\, etc. But here come s 36-year-old Chinese virtuoso Bi Gan\, already with two masterpieces alre ady under his belt (2015’s Kaili Blues and 2018’s Long Day’s Journey into Night\, both of which we ran to much success in 2024)\, making his m ost ambitious film yet\, and\, wouldn’t you know it\, succeeding. (“Mo st ambitious” is a high bar for Bi to cross\, considering his last film\ , Long Day’s Journey into Night\, had an incredibly complicated unbroken hour-long 3-D shot at its climax!) Resurrection elaborates on Bi’s aest hetic and thematic concerns\, which feel like a cross between Wong Kar Wai and David Lynch\, but at the same time are entirely his own. With Resurre ction we are in conversation with 100 years of film history\, as humanity has embraced immortality at the expense of being able to dream\, and only a “Fantasmer” (Chinese pop star Jackson Yee) can still traverse dream realms\, which feel a lot like cinema. When was the last time you saw a ne w film that shows clear influence from and understanding of the films of G eorges Méliès and F.W. Murnau\, to name just two examples? With Taiwanes e superstar Shu Qi (Millennium Mambo) as a mysterious woman\, costumes by Hou Hsiao-hsien’s master production designer Hwarng Wern-ying\, and musi c by the French electronic group M83. Winner of the Special Jury’s Award at the 2025 Cannes Film Festival.\n\nIn Mandarin with English subtitles. GEO:38.590668;-90.345314 LOCATION:Winifred Moore Auditorium SUMMARY:Resurrection URL;VALUE=URI:https://events.webster.edu/event/resurrection CATEGORIES:School of Communications CATEGORIES:Film Series END:VEVENT END:VCALENDAR